Evening dress, Jacques Doucet, circa 1910. Silk satin and chiffon, beads, faux pearls, and rhinestones. “Pouter pigeon” bodice creating “S” shape. Via Bunka Gakuen Costume Museum, Tokyo.
Pingat design for Mrs. Augustus Newland Eddy
Gown, 1878 Emile Pingat Cream silk brocade, lace, gold and yellow satin. Worn by Mrs. Augustus Newland Eddy. This gown is one of more than 60 couture pieces featured in the exhibition Chic Chicago: Couture Treasures from the Chicago History Museum. © Chicago History Museum www.chicagohistory.org/
LOT 582 EMBROIDERED NEOCLASSICAL COTTON GOWN, 1799 - 1810. - whitakerauction
Regency style in delicate muslin (probably Bengali) having allover sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust a double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. Provenance: A companion dress, from the same prominent Philadelphia/Baltimore family, is on display at Winterthur (item 2011.38.1). B-34, high W-28, L 50-54. (Period repair on left…
Wedding dress, Berta Alkalaj, Belgrade, 1911. Silk, lace, pearls, wax, metal thread. Bottom picture is photo of exhibition catalog. Museum of Applied Arts, Belgrade
Attributed to House of Dior | Evening dress | French | The Met
Legion of Honor, Fine Arts Museums of San Francisco. "High Style: Twentieth-Century Masterworks from the Brooklyn Museum Costume Collection," March 14, 2015–July 19, 2015.Cincinnati Art Museum