CHARLES FREDERICK WORTH, British Designer (1826-1895). Widely considered the Father of Haute couture, whose works were produced in Paris in the 19th century.

Remembering the Father of Haute Couture

Charles Frederick Worth October 1825 – 10 March widely considered the Father of Haute couture , was an English fashion designer of the century, whose works were produced in Paris.

A fine and important Charles Frederick Worth ball gown, 1888, Kerry Taylor Auctions. Provenance: Originally worn by Clara Luz Romero Vargas who was the wife of the Mexican Ambassador to Germany to attend the Coronation of Kaiser Wilhelm in 1888. See: http://www.liveauctioneers.com/item/1509278

A fine and important Charles Frederick Worth ball gown, Kerry Taylor Auctions. Provenance: Originally worn by Clara Luz Romero Vargas who was the wife of the Mexican Ambassador to Germany to attend the Coronation of Kaiser Wilhelm in 1888

Mrs. Fairchild's Worth Gown  Gown made by Charles Frederick Worth of Paris for Frances Fairchild of Madison, Wisconsin, 1880.

Fairchild's Worth Gown Gown made by Charles Frederick Worth of Paris for Frances Fairchild of Madison, Wisconsin, jαɢlαdy

Evening Mantle Designed By Charles Frederick Worth For The House Of Worth   c.1887  -  The Metropolitan Museum Of Art

omgthatdress: “ Evening Mantle Charles Fredrick Worth, 1887 The Metropolitan Museum of Art ”

Empress Elisabeth's Hungarian coronation gown by Charles Frederick Worth

Empress Elisabeth's Hungarian coronation gown by Charles Frederick Worth - If you want to live like empress Sisi, the Schloß Schönbrunn Grand Suite will be the perfect spot for you.at/Suite-Schloss-Schoenbrunn/en/

1920s gown by Charles Frederick Worth. In this period of time the demand for luxury goods, including textiles and fashionable dress, reached levels that had not been seen since before the French Revolution

gown by Charles Frederick Worth. During this period, the demand for luxury goods, including textiles and fashionable dress, reached levels that had not been seen since before the French Revolution.

Bottle-green brocaded satin gown, Charles Frederick Worth, circa 1890-93 love the black embroidered feather

Bottle-green brocaded satin gown, Charles Frederick Worth, circa love the black embroidered feather (Bottle Green House)

Charles Frederick Worth Evening Dress 1900-1903 with Indian embroidery made of silk with silver and gold thread and bullion work, House of Worth. Fashion Museum, Bath.

The House of Worth designed this opulent embroidered gown ca. for Lady Curzon, the Vicereine of India. Courtesy Fashion Museum, Bath and Northeast Somerset Council. Discovered this on display at Yale.

Risultato della ricerca immagini di Google per http://www.metmuseum.org/toah/images/h2/h2_C.I.49.3.25a,b.jpg

Charles Frederick Worth, the Father of Haute Couture

Dress (Ball Gown) House of Worth (French, Designer: Charles Frederick Worth (French (born England), Bourne Paris) Date: ca. 1887 Culture: French Medium: silk, glass, metallic thread (SO beautiful!

Ensemble, Evening  House of Worth       Charles Frederick Worth, Bourne       ca. 1888

omgthatdress: “ Robe à Transformation Charles Fredrick Worth, 1888 The Metropolitan Museum of Art ” ♥

Charles Frederick Worth ballgown with 11 foot train, circa 1888, worn for presentation to Queen Victoria's Court.

Charles Frederick Worth ballgown with 11 foot train, circa worn for presentation to Queen Victoria's Court. I hope the Queen was duly impressed!

Silk Evening dress by House of Worth, Paris 1882~Image © The Metropolitan Museum of Art

Evening dress House of Worth (French, Designer: Charles Frederick Worth (French (born England), Bourne Paris) Date: ca. 1882 Culture: French Medium: silk Front 2 umm this is probably going to be the dress I choose :)

Ball gown, by Charles Frederick Worth, c. 1872, at the Metropolitan Museum of Art. Worn by Mrs. William De Forest Manice at the French and English courts during the reigns of Napoleon III and Queen Victoria. When worn on such occasions, the dress had a detachable brocade train, since destroyed. According to the Met, the decorative panels / trimmings are an emulation of Middle Eastern enamels. CLICK THROUGH FOR BIGGER IMAGES.

Ball gown, by Charles Frederick Worth, c. 1872, at the Metropolitan Museum of Art. Worn by Mrs. William De Forest Manice at the French and English courts during the reigns of Napoleon III and Queen Victoria. When worn on such occasions, the dress had a detachable brocade train, since destroyed. According to the Met, the decorative panels / trimmings are an emulation of Middle Eastern enamels. CLICK THROUGH FOR BIGGER IMAGES.

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