Richard Diebenkorn ~ Abstract and Figurative Expressionism painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

Richard Diebenkorn ~ Abstract and Figurative Expressionism painter

Richard Diebenkorn ~ Abstract and Figurative Expressionism painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

Richard Diebenkorn ~ Abstract and Figurative Expressionism painter

Richard Diebenkorn ~ Abstract and Figurative Expressionism painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

Basquiat self portrait

Self-Portrait as a Heel, Part Two Artist: Jean-Michel Basquiat Completion Date: 1982 Style: Neo-Expressionism Genre: figurative painting Dimensions: x 15 cm

Franz Kline, New York, New York

Get the Look: A Masculine and Metropolitan Bedroom

Willem de kooning (1904-1997) was a Dutch-born American painter who was one of the leading exponents of Abstract Expressionism, particularly the form known as Action painting. During the 1930s and ’40s de Kooning worked simultaneously in figurative and abstract modes, but by about 1945 these two tendencies seemed to fuse.

a-la-belle-e-toile: “Willem de Kooning - Ruth’s Zowie, oil on canvas, 80 ¼ x 70 in © 2014 The Willem de Kooning Foundation ”

King Oliver, 1958. Franz Kline (1910-1962). Kline sought in the later 1950s to maintain a stylistic development. He was to introduce a full range of color. Some black-and-white paintings had already retained traces of sombre hues, but now Kline returned to the strident palette that he had largely eschewed since the later 1940s, as in the clashing green, red, and purples of King Oliver.

King Oliver, Franz Kline This painting is an example of abstract expressionism and the beginning of the "Color Field" because it is abstract in style but it contains bright colors.

Willem de Kooning - Untitled, 1948 ::: Oil on paper, Gift of Judith H. Miller, 1990. © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York. #AbstractArt

Willem de Kooning - Untitled, 1948 ::: Oil on paper, Gift of Judith H. Miller, © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York.

The Trapeze, 1923  by Max Beckmann (German,1884-1950) http://onework.ru/wp-content/uploads/art/Beckmann,%20Max/Max%20Beckmann%20162.jpg

Max Beckmann German 1884 – 1950 The trapeze 1923 oil on canvas x cm Toledo Museum of Art Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey Photo: Photography Incorporated, Toledo

Untitled, 1981 (detail). Acrylic, marker, paper collage, oil, paintstick, and crayon on canvas 48 1/2 x 62 inches (123 x 157.5 cm) The Schorr Family Collection © The Estate of Jean-­-Michel Basquiat / ADAGP, Paris / ARS, New York 2014 Photo by Kent Pell.

Jean Michael Basquiat - This is an unfamiliar image, supposedly from artdaily, but stylistically it looks genuine.

New York School painter Alex Katz developed his highly stylized aesthetic in reaction to 1950s Abstract Expressionism, finding his own distinctive resolution between formalism and representation. His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns of Pop Art.

New York School painter Alex Katz developed his highly stylized aesthetic in reaction to 1950s Abstract Expressionism, finding his own distinctive resolution between formalism and representation. His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns of Pop Art.

Lyonel Feininger – Torturm II, 1925 - Staatliche Kunsthalle Karlsruhe

Lyonel Feininger Torturm II, 1925 - Staatliche Kunsthalle Karlsruhe P. simple quest for everyone) Why did Bill die?

American Abstract and Figurative Expressionism: Style is Timely Art is Timeless. The book intends to show that the most engaged mainstream creative work in New York and across the USA was not restricted to non-representational or representational expressionism but rather to the creative power of the individual expressionist artist.

American Abstract and Figurative Expressionism: Style is Timely Art is Timeless. The book intends to show that the most engaged mainstream creative work in New York and across the USA was not restricted to non-representational or representational expressionism but rather to the creative power of the individual expressionist artist.

Femme. Rufino Tamayo (1899- 1991) was a Mexican painter of Zapotec heritage. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.

Rufino Tamayo was a Mexican painter of Zapotec heritage. Tamayo was active in the century in Mexico and New York, painting figurative abstraction with surrealist influences.

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