Das Bild Anita Berbers für die Nachwelt ist geprägt durch ein Portrait von Otto…

Das Bild Anita Berbers für die Nachwelt ist geprägt durch ein Portrait von Otto…

Portrait of Journalist Sylvia von Harden, 1926

Otto Dix, George Grosz, and Weimar Berlin

Portrait of Journalist Sylvia von Harden, 1926

Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of Weimar society and the brutality of war. Along with George Grosz, he is widely considered one of the most important artists of the Neue Sachlichkeit.

Special Exhibition Gallery - Glitter and Doom: German Portraits from the 1920s

Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of Weimar society and the brutality of war. Along with George Grosz, he is widely considered one of the most important artists of the Neue Sachlichkeit.

equinoxes: german-expressionists: Otto Dix about 1919/20 at a masked ball                                                                                                                                                                                 Mehr

equinoxes: german-expressionists: Otto Dix about 1919/20 at a masked ball Mehr

SturmtruppeGehtUnterGasVor1924 (600×403)

SturmtruppeGehtUnterGasVor1924 (600×403)

Otto Dix - Woman with Red Hair (1931)

Otto Dix - Woman with Red Hair (1931)

Self-Portrait - Otto Dix  This is so odd, I love it. Without the flower i think he would look much more villainous.

Self-Portrait - Otto Dix This is so odd, I love it. Without the flower i think he would look much more villainous.

Otto Dix, Bildnis Frau Martha Dix (Portrait of Mrs. Martha Dix), 1923

Otto Dix, Bildnis Frau Martha Dix (Portrait of Mrs. Martha Dix), 1923

Otto Dix -  Vanitas (Youth and Old Age) - painting   1932

Otto Dix - Vanitas (Youth and Old Age) - painting 1932

#OttoDix, Weimar Berlin, 1928.  Dix was a scarey guy.  Showing the post-war decadence that made many of Hitler's obscenities easier for the non-reasoning public to swallow.

#OttoDix, Weimar Berlin, 1928. Dix was a scarey guy. Showing the post-war decadence that made many of Hitler's obscenities easier for the non-reasoning public to swallow.

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