Katya Khakhulina

Katya Khakhulina

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Tatiana_Trouve_View of the exhibition "SOMEWHERE, 18-12-95 AN UNKNOWN 1981" at Schinkel Pavillion  Berlin (Germany), 2014_6770_1

Tatiana_Trouve_View of the exhibition "SOMEWHERE, 18-12-95 AN UNKNOWN 1981" at Schinkel Pavillion Berlin (Germany), 2014_6770_1

Walter De Maria installing the first Earth Room, Galerie Heiner Friedrich, Münich, 1968

Tatiana_Trouve_View of the exhibition "SOMEWHERE, 18-12-95 AN UNKNOWN 1981" at Schinkel Pavillion  Berlin (Germany), 2014_6770_1

Tatiana_Trouve_View of the exhibition "SOMEWHERE, 18-12-95 AN UNKNOWN 1981" at Schinkel Pavillion Berlin (Germany), 2014_6770_1

Photo of The New York Earth Room - New York, NY, United States. Earth Room

Photo of The New York Earth Room - New York, NY, United States. Earth Room

Photo of The New York Earth Room - New York, NY, United States

Photo of The New York Earth Room - New York, NY, United States

I’ll Be There Forever. The Sense of Classic , Bild 4

I’ll Be There Forever. The Sense of Classic , Bild 4

Hamburger Bahnhof  Museum für Gegenwart  You'll find the gleaming white Hamburger Bahnhof in the beautiful former main train station built in 1847  now all skylights white walls and polished wooden floors. Its central collection is from Berlin entrepreneur Dr Erich Marx including a vast collection of art from Beuys and Rauschenberg to Lichtenstein and Warhol (whose iconic Mao has a permanent home here). The National Gallery also has a permanent collection here focussing on 1960 to the…

Hamburger Bahnhof Museum für Gegenwart You'll find the gleaming white Hamburger Bahnhof in the beautiful former main train station built in 1847 now all skylights white walls and polished wooden floors. Its central collection is from Berlin entrepreneur Dr Erich Marx including a vast collection of art from Beuys and Rauschenberg to Lichtenstein and Warhol (whose iconic Mao has a permanent home here). The National Gallery also has a permanent collection here focussing on 1960 to the…

Adrian Piper, The Probable Trust Registry: The Rules of the Game #1-3, 2013-2017, Installation + Group Performance: 3 graue raumhohe Wände, 3 runde goldene Tresen, goldene Reliefbuchstaben, 3 Lesepulte, 3 Stehhilfen, Computersystem, 3 Rezeptionsten (pro Tresen eine Person), Format variabel, Ausstellungsansicht

Adrian Piper, The Probable Trust Registry: The Rules of the Game #1-3, 2013-2017, Installation + Group Performance: 3 graue raumhohe Wände, 3 runde goldene Tresen, goldene Reliefbuchstaben, 3 Lesepulte, 3 Stehhilfen, Computersystem, 3 Rezeptionsten (pro Tresen eine Person), Format variabel, Ausstellungsansicht

Thomas Demand, Kunsthaus Bregenz Caruso St John Architects 2004 Location: Bregenz, AT Client: Kunsthaus Bregenz Project Status: Exhibition Design

Caruso St John were invited by Thomas Demand to collaborate on the design of a film installation in his exhibition ‘Phototrophy’ at the Kunsthaus Bregenz. In the tradition of single artist shows at the Kunsthaus, .

Thomas Demand, Art, Exhibitions, Boyfriends, Projects, Art Background, Kunst, Art Supplies, Artworks

RAO | RESTAURATOREN Neue Nationalgalerie Berlin - David ...

RAO | RESTAURATOREN Neue Nationalgalerie Berlin - David ...

Art With a Needle: Berlin museums 5 -- Neue Nationalgalerie

Art With a Needle: Berlin museums 5 -- Neue Nationalgalerie

Berlin | Neue Nationalgalerie | Architect: Mies van der ...

Berlin | Neue Nationalgalerie | Architect: Mies van der ...

Павильон Шигеру Бана для «Гаража» и его итальянский предшественник :: Архплатформа

Павильон Шигеру Бана для «Гаража» и его итальянский предшественник :: Архплатформа