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световые схемы для портретной съемки: 15 тыс изображений найдено в Яндекс.Картинках

световые схемы для портретной съемки: 15 тыс изображений найдено в Яндекс.Картинках

Lighting for Portraits #Photography #tips #photo #tricks #fotografia #fotografico #foto #trucos #consejos #diafragma #diaphragm #portrait #retrato #light #lighting #iluminacion

Lighting for Portraits: Naturally Beautiful Photography - "naturally beautiful photography: Lighting for Portraits Image by Sidious Sid What is a portrait? From the very first pictured pictures on wet plates by nineteenth - century photography

световые схемы для портретной съемки: 15 тыс изображений найдено в Яндекс.Картинках

световые схемы для портретной съемки: 15 тыс изображений найдено в Яндекс.Картинках

To front-light his portrait of the rock band Pierce the Veil, Adam Elmakias used an Alien Bees B1600 monolight inside a 7-foot Photoflex Octodome softbox (A). He side- and backlit the musicians with two Alien Bees B800 monolights inside 47-inch (B) and 35-inch (C) foldable Paul C. Buff octoboxes. The side light (B) eliminated shadows on the subjects’ shoulders, while the backlight (C) rimlit the group, making it easier for Elmakias to extract them from the background in post.

To front-light his portrait of the rock band Pierce the Veil, Adam Elmakias used an Alien Bees monolight inside a Photoflex Octodome softbox (A). He side- and backlit the musicians with two Alien Bees monolights inside (B) and 35

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Lighting for Portraits: Naturally Beautiful Photography - "naturally beautiful photography: Lighting for Portraits Image by Sidious Sid What is a portrait? From the very first pictured pictures on wet plates by nineteenth - century photography

Starting with two softboxes (A and B) placed as close as possible to his subject, Art added a silver Lastolite Skylite reflector behind her (C) to highlight the hair and shoulders. To increase the portrait’s intimate feel, he posed her against a wall of black seamless (D). He then used a 2:1 lighting ratio, with the larger, top half of the clamshell (A) twice as bright as the bottom. This helped him produce some shadows in the lower half of the portrait to set off the face.

Starting with two softboxes (A and B) placed as close as possible to his subject, Art added a silver Lastolite Skylite reflector behind her (C) to highlight the hair and shoulders. To increase the portrait’s intimate feel, he posed her against a wall of b

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