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KAYLEE RUSSOTI-USA "MY BODY OF WORK INVESTIGATES THE DEVELOPMENT AND TRANSFORMATION OF THE FUNNEL FORM THROUGH THE USE OF VARYING MATERIALS AND EXPLORATORY PROCESSES. IN ADDITION TO HISTORICALLY VALUED MATERIALS SUCH AS STERLING SILVER, I UTILIZE STRING, WHICH IS ABUNDANT, CHEAP AND TYPICALLY OVERLOOKED.

KAYLEE RUSSOTI-USA "MY BODY OF WORK INVESTIGATES THE DEVELOPMENT AND TRANSFORMATION OF THE FUNNEL FORM THROUGH THE USE OF VARYING MATERIALS AND EXPLORATORY PROCESSES. IN ADDITION TO HISTORICALLY VALUED MATERIALS SUCH AS STERLING SILVER, I UTILIZE STRING, WHICH IS ABUNDANT, CHEAP AND TYPICALLY OVERLOOKED.

Benjamin Lignel  Brooches: Supplément (gonades 5), Supplément (couillades 1) 2012  Tin, copper, silver, gold, air, steel  photo: L. Gustave courtesy Next Level Galerie

Benjamin Lignel, Supplement (Couillades and Gonades), NextLevel Galerie

Large scale chain, this one is fanric but I think it could be easily made in a plastic? Great impact for viewer, could be fun to photograph and display

I can knot knit but if I did I'd skip the scarf making & go straight into giant chain necklaces. they're the next big thing I can feel it!

Jason Hall necklaces - (pounamu, oxidised sterling silver) - Fingers Annual Contemporary New Zealand Jewellery Exhibition 2006

Small Beam Necklace – Noy Alon Jewelry Design

A unique constructed necklace with a textured surface and an urban aesthetic, which works from day to night. One of a kind design, No two alike.

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