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Caraco and petticoat, said to have been worn by Madame Élisabeth (1764-1794), ca. 1789, Cotton, embroidered with grape vines, Palais Galliera, Musée de la Mode de la Ville de Paris | via The Dreamstress blog

Caraco and petticoat, said to have been worn by Madame Élisabeth (1764-1794), ca. 1789, Cotton, embroidered with grape vines, Palais Galliera, Musée de la Mode de la Ville de Paris | via The Dreamstress blog

Civil War: Summer dress ca. 1860s. One piece; powder blue striped muslin with pleated bodice & ruched sleeves. Piped at the neckline, armscyes, and waistband. Blind back hook & eye closure. Bodice lined in muslin. Unlined skirt is finely cartridge-pleated, with single slit pocket and deep faced hem. Time Travelers Antiques via Extant Gowns

Civil War: Summer dress ca. 1860s. One piece; powder blue striped muslin with pleated bodice & ruched sleeves. Piped at the neckline, armscyes, and waistband. Blind back hook & eye closure. Bodice lined in muslin. Unlined skirt is finely cartridge-pleated, with single slit pocket and deep faced hem. Time Travelers Antiques via Extant Gowns

Evening dress, Worth, circa 1880s. Two-piece sapphire blue silk satin. Boned bodice covered in black tulle studded with beads and sequins. Short puffed sleeves, ruched and pleated waistband. Skirt has studded front insert flanked by beaded border with Van Dyke points. Matching decoration at tulle hem band. Taffeta underskirt with pleated net and lace hem ruffle. Via Whitaker Auctions.

Evening dress, Worth, circa 1880s. Two-piece sapphire blue silk satin. Boned bodice covered in black tulle studded with beads and sequins. Short puffed sleeves, ruched and pleated waistband. Skirt has studded front insert flanked by beaded border with Van Dyke points. Matching decoration at tulle hem band. Taffeta underskirt with pleated net and lace hem ruffle. Via Whitaker Auctions.

Tea Gown Liberty & Co., 1885. The Artistic dress had its roots in mid-Victorian England, where Pre-Raphaelite artists, with their love of things medieval, and disdain of industrialized society, revived a version of the loose fitting, relatively plain gowns of that time. Its successor, Aesthetic dress, drew from the same design, but not philosophical.

Tea Gown Liberty & Co., 1885. The Artistic dress had its roots in mid-Victorian England, where Pre-Raphaelite artists, with their love of things medieval, and disdain of industrialized society, revived a version of the loose fitting, relatively plain gowns of that time. Its successor, Aesthetic dress, drew from the same design, but not philosophical.

Afternoon dress ca. 1874, in black & cream organza. Boat neckline, ruffled skirt with short train, apron draped with beautiful transparency effects and overlay printed decoration, weights to retain dress’s shape. Drouot Auctions

Afternoon dress ca. 1874, in black & cream organza. Boat neckline, ruffled skirt with short train, apron draped with beautiful transparency effects and overlay printed decoration, weights to retain dress’s shape. Drouot Auctions

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