Pinterest
"Witch!" Suspiria, Dario Argento's 1977 Dark Italian Fairytale. One of the last movies shot in technicolor hence the amazing vibrant colours.

love watching dario argento’s movie suspiria. the cinematography emphasizes the primary colours, making it really creepy and eerie… it was one of the last movies to be processed at the technicolor processing plant.

Precisamo Falar Sobre o Kevin (We Need to Talk About Kevin) Estante da Sala

Precisamos Falar Sobre Kevin (We Need to Talk About Kevin) Estante da Sala

I used these shots from 'Stranger Things' because I think the shot compositions are brilliant. The dark colors and various shots usually give a vide of dismay and mystery.

The shot compositions in 'Stranger Things' are brilliant. The dark colors and various shots usually give a vide of dismay and mystery.

STALKER  [Andrej Tarkovskij 1979]

STALKER [Andrej Tarkovskij / Cinematography by Aleksandr Knyazhinsky Georgi Rerberg

Hannibal's Colour Theory is amazing. each shot looks beautifully crafted!

From set, through to post production, Hannibal's close attention to color theory results in stunning visuals that say, "viewer discretion is advised".

Keanu ♡♥ Reeves  John Wick . Cinematography by Jonathan Sela . Beautifully shot movie.

I like some of the obscure angles as time progresses John Wick . Cinematography by Jonathan Sela .

89fb343b7a795edd4cf504ff8f0cbc2d.jpg 722×3,060 pixels

Blade Runner Painting with Lights Cinematography: Jordan Cronenweth

37b3684e90b8c06a40e8d128d22b80ed.jpg 730×2,738 pixels

The colour grade used in all of these shots is the type we are going for in our film, it gives quite a cold feel to the film indicating danger and the fear he is feeling

“Nearly every shot is framed, refracted, bisected. Mrs. Chan and Mr. Chow are distanced from themselves, each other, us. But the camera is still active, hanging back in realistic remove before tracking and panning in languorous slow motion. Two different cinematographers are at work—Christopher Doyle and longtime Hou Hsiao-hsien DP Mark Ling Ping-bin—but their styles play as two sides of the same dream. All of the images burn, then all too quickly expire.” Eric Hynes, Reverse Shot

'In the Mood for Love' (Wong Kar Wai, Cinematography by Christopher Doyle

One of the best single-shot sequences in movie history: the 6-minute Uprising scene in Children of Men (2006). Cinematography by Emmanuel Lubezki.

The chillllls One of the best single-shot sequences in movie history: the Uprising scene in Children of Men Cinematography by Emmanuel Lubezki.

Submarine (2011) -- similar to the effect in The Graduate, this film contrasts the individual in the frame alone vís-a-vís with the love interest; often created by same or similar shot, once alone, again with love interest, a third time alone.

colors Submarine -- similar to the effect in The Graduate, this film contrasts the individual in the frame alone vís-a-vís with the love interest; often created by same or similar shot, once alone, again with love interest, a third time alone.

Requiem for a Dream, Darren Aronofsky, 2000 - Lots of my film shots were inspired by this film! https://www.youtube.com/watch?v=q-CGB_0tx6g

Requiem for a Dream, Darren Aronofsky, 2000 - Lots of my film shots were inspired by this film!