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Erkunde Geometrische Kunst und noch mehr!

Joachim Grommek,"Francis", 2006, Lack, Acryl, Öl, Grundierung auf Spanplatte, 120 x 90 cm

Joachim Grommek,"Francis", 2006, Lack, Acryl, Öl, Grundierung auf Spanplatte, 120 x 90 cm

dan flavin imi knoebel - Google Search

dan flavin imi knoebel - Google Search

Joachim Grommek, "o.T.", 2007, Lack, Acryl, Öl, Grundierung auf Spanplatte, 50 x 50 cm

Joachim Grommek, "o.T.", 2007, Lack, Acryl, Öl, Grundierung auf Spanplatte, 50 x 50 cm

Fritz Glarner (1899-1972) was a Swiss-American painter & a leading proponent of Concrete Art, based on principles of De Stijl and  the Bauhaus. He was a disciple of Mondrian & limited his color palette to the primaries, red, yellow & blue. He expanded Mondrian's black "line" into a broad range of grays, used both as line and, like the primaries, as geometric areas of color. This give his works a vitality and spatial dimensions.

Fritz Glarner (1899-1972) was a Swiss-American painter & a leading proponent of Concrete Art, based on principles of De Stijl and the Bauhaus. He was a disciple of Mondrian & limited his color palette to the primaries, red, yellow & blue. He expanded Mondrian's black "line" into a broad range of grays, used both as line and, like the primaries, as geometric areas of color. This give his works a vitality and spatial dimensions.

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

Painting (white), 1945. Fritz Glarner was a Swiss-American painter. Glarner was a leading proponent of so-called Concrete Art, an artists' movement whose roots lead back to the painters of De Stijl and the principles of the Bauhaus. Glarner's mature works, such as this, were most strongly influenced by the Neoplastic theory of Piet Mondrian, with whom he associated in New York during the 1940s.

Painting (white), 1945. Fritz Glarner was a Swiss-American painter. Glarner was a leading proponent of so-called Concrete Art, an artists' movement whose roots lead back to the painters of De Stijl and the principles of the Bauhaus. Glarner's mature works, such as this, were most strongly influenced by the Neoplastic theory of Piet Mondrian, with whom he associated in New York during the 1940s.

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

RICHARD PAUL LOHSE (1902-1988)  Drei vertikale Gruppen mit hellblauem Zentrum, 1952/73 Variation C  via Christies

RICHARD PAUL LOHSE (1902-1988) Drei vertikale Gruppen mit hellblauem Zentrum, 1952/73 Variation C via Christies

Fernando de Brito, NAMES, Hanne Darboven, ballpoint on paper, 2012

Fernando de Brito, NAMES, Hanne Darboven, ballpoint on paper, 2012

RICHARD SCHUR  via galerieambergkerk

RICHARD SCHUR via galerieambergkerk

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

François Morellet, Dick / Cunt, 1978, Acrylic paint and graphite on Arches paper, 18.2 x 24 inches, unique via Josse bienvenu gallery ny

François Morellet, Dick / Cunt, 1978, Acrylic paint and graphite on Arches paper, 18.2 x 24 inches, unique via Josse bienvenu gallery ny

Michael Kunze, Schlag auf innere Uhr/Ausgang - Painting by Michael Kunze

Michael Kunze, Schlag auf innere Uhr/Ausgang - Painting by Michael Kunze

Joachim Grommek  TILT II, 2005  Acryl, Öl, Grundierung / Spanplatte  90 x 70 cm via .fath-contemporary.

Joachim Grommek TILT II, 2005 Acryl, Öl, Grundierung / Spanplatte 90 x 70 cm via .fath-contemporary.

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

Michael Kunze, Nachmittag · 600 × 330 cm - Painting by Michael Kunze

Mark Williams,Stand Out  2010  acrylic latex paint on canvas  20 x 24 inches via artist

Mark Williams,Stand Out 2010 acrylic latex paint on canvas 20 x 24 inches via artist