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Exquisite Precious Tempietto, on view in Vienna - Liechtenstein Museum and Library, Austria.

Exquisite Precious Tempietto, on view in Vienna - Liechtenstein Museum and Library, Austria.

An Empire commode clock from Vienna, Marked "Peter Rau in Wien"; with obelisk, decorated with marquetry, triple mirrored, alabaster- and brass columns, gilt painted carved lion- and eagle finials, 52 cm, Austria ca. 1820.

An Empire commode clock from Vienna, Marked "Peter Rau in Wien"; with obelisk, decorated with marquetry, triple mirrored, alabaster- and brass columns, gilt painted carved lion- and eagle finials, 52 cm, Austria ca. 1820.

Miniature Vienna Bronze wax seal “Theater a. d. Wien”, 1910. The Figural wax seal in form of a monkey in the costume of a Pierrot holding an Obelisk topped by a pearled knob terminating by a sphere - Dimensions: 4.4 cm broad; 7.5 cm high; 1.8 cm deep.

Miniature Vienna Bronze wax seal “Theater a. d. Wien”, 1910. The Figural wax seal in form of a monkey in the costume of a Pierrot holding an Obelisk topped by a pearled knob terminating by a sphere - Dimensions: 4.4 cm broad; 7.5 cm high; 1.8 cm deep.

Exquisite Precious Tempietto, on view in Vienna - Lichtenstein Museum and Library, Austria.

Exquisite Precious Tempietto, on view in Vienna - Lichtenstein Museum and Library, Austria.

MOTHER OF PEARL ARCHITECTURAL MODEL OF Äußeres Burgtor - Vienna, Austria - Vienna, circa 1825 - Dim: length: 40.5 cm, height: 17 cm, depth: 19 cm - Mother of Pearl Veneered Housing, Gilt Metal Fittings, Watercolor Painting on Pearl Plate.

MOTHER OF PEARL ARCHITECTURAL MODEL OF Äußeres Burgtor - Vienna, Austria - Vienna, circa 1825 - Dim: length: 40.5 cm, height: 17 cm, depth: 19 cm - Mother of Pearl Veneered Housing, Gilt Metal Fittings, Watercolor Painting on Pearl Plate.

An Austro-Hungarian silver and lapis sculptural presentation piece, Vienna, circa 1900 resting on an angular wood plinth, the stepped base applied in gilt with a foliate scroll border and an industrial trophy to the front, the lower part applied to the front and sides with plaques of a steel plant and iron and steel rollers and workers, the reverse embossed in relief with men labouring at a furnace, below a sculptural group of a wasted labourer with a pickaxe and jacket slung over his…

An Austro-Hungarian silver and lapis sculptural presentation piece, Vienna, circa 1900 resting on an angular wood plinth, the stepped base applied in gilt with a foliate scroll border and an industrial trophy to the front, the lower part applied to the front and sides with plaques of a steel plant and iron and steel rollers and workers, the reverse embossed in relief with men labouring at a furnace, below a sculptural group of a wasted labourer with a pickaxe and jacket slung over his…

Stepped Bronze Obelisk with Aries Heads on all Base Corners Holding a Swag draped on the sides, with the inscription "Dreimasken Verlag / Berlin, Munich, Vienna". The Dreimasken Publishing was famous for output especially of stage works. Circa 1920/30's - Dim: H: 17cm.

Stepped Bronze Obelisk with Aries Heads on all Base Corners Holding a Swag draped on the sides, with the inscription "Dreimasken Verlag / Berlin, Munich, Vienna". The Dreimasken Publishing was famous for output especially of stage works. Circa 1920/30's - Dim: H: 17cm.

Richard Shapiro created a cloistered atmosphere in the Holmby Hills library by covering the walls in green damask. Upholstered seating from the designer’s own Studiolo collection surrounds a 1910 Vienna Secession table attributed to Adolf Loos. The floor is covered with a Moroccan carpet. The fire surround is framed on one side by a huge architectural masterpiece of a dome ; on the other side by tribal masks displayed on a table.

Richard Shapiro created a cloistered atmosphere in the Holmby Hills library by covering the walls in green damask. Upholstered seating from the designer’s own Studiolo collection surrounds a 1910 Vienna Secession table attributed to Adolf Loos. The floor is covered with a Moroccan carpet. The fire surround is framed on one side by a huge architectural masterpiece of a dome ; on the other side by tribal masks displayed on a table.

Alabaster & ormolu Obelisk Clock with an eagle with outstretched wings resting at the top of the obelisk. At the foot of the Obelisk lies a sheath of arms. The movement and the dial sit underneath the latter signed Tobias FLASCHGE in Vienna ; with small claw feet. Supporting the base - Austria, early nineteenth century. H: 51 L: 17 - P: 14 cm

Alabaster & ormolu Obelisk Clock with an eagle with outstretched wings resting at the top of the obelisk. At the foot of the Obelisk lies a sheath of arms. The movement and the dial sit underneath the latter signed Tobias FLASCHGE in Vienna ; with small claw feet. Supporting the base - Austria, early nineteenth century. H: 51 L: 17 - P: 14 cm

The black marble obelisks are from Florence. The 18th-century engravings show scenes of Vienna.

The black marble obelisks are from Florence. The 18th-century engravings show scenes of Vienna.

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