Explore Cinematic Photography and more!

Collateral (2004) | Cinematography by Dion Beebe and Paul Cameron | Directed by Michael Mann

Collateral Cinematography by Dion Beebe and Paul Cameron Directed by Michael Mann

37b3684e90b8c06a40e8d128d22b80ed.jpg 730×2,738 pixels

The colour grade used in all of these shots is the type we are going for in our film, it gives quite a cold feel to the film indicating danger and the fear he is feeling

Mirror - Andrei Tarkovsky

The Mirror // Zerkalo “ The film aimed at reconstructing the lives of people whom I loved dearly and knew well.

The Lobster (2015), d. Yorgos Lanthimos, d.p. Thimios Bakatakis

One of the craziest movies I've ever seen. But that cinematography though. (The Lobster d. Yorgos Lanthimos, d.

”Prisoners” shot cinematography breakdowns

WHAT ARE YOU LOOKING AT? (dissecting the work of a master)

Nocturnal Animals (2016) - Not really a film for everyone. But if you're a cinephile, you'll want to see it.

Nocturnal Animals - Not really a film for everyone. But if you're a cinephile, you'll want to see it. "When you love someone you have to be careful with it.

Hannibal's Colour Theory is amazing. each shot looks beautifully crafted!

From set, through to post production, Hannibal's close attention to color theory results in stunning visuals that say, "viewer discretion is advised".

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