Pinterest

Erkunde Ausstellungen und noch mehr!

FROM FOREIGN TO FOREIGN - The Tenth Stretch Exhibition

FROM FOREIGN TO FOREIGN - The Tenth Stretch Exhibition

Zarina Hashmi 'Country' From the portfolio Home is a Foreign Place, 1999 Portfolio of 36 woodcuts with Urdu text printed in black on Kozo paper, mounted on Somerset paper

Zarina Hashmi 'Country' From the portfolio Home is a Foreign Place, 1999 Portfolio of 36 woodcuts with Urdu text printed in black on Kozo paper, mounted on Somerset paper

DETERMINED BY ANY SINGLE HAND - The interior and the exterior space of a human body, are explored in this series of collages through the two figures: the fold and the conduct. They meet simultaneously acting as a mechanism and a plasticity element to play a role in the narration of the collages. A narration that builds a not permanent, neither an established order that can help the viewer to be orientated.

DETERMINED BY ANY SINGLE HAND - The interior and the exterior space of a human body, are explored in this series of collages through the two figures: the fold and the conduct. They meet simultaneously acting as a mechanism and a plasticity element to play a role in the narration of the collages. A narration that builds a not permanent, neither an established order that can help the viewer to be orientated.

FROM FOREIGN TO FOREIGN - The Tenth Stretch Exhibition

FROM FOREIGN TO FOREIGN - The Tenth Stretch Exhibition

AGE OF SAND - Untitled

AGE OF SAND - Untitled

The Art of Being Happy (1) Reading and Outsourcing the Art of Being Happy Arthur Schopenhauer Lebensregel Nr. 1 - 50  Rotationsrichtung; Rotationsgeschwindigkeit 1-4 Umdrehungen/ Tag; Internes Zentrum; Externes Zentrum Ausrichtung Internes/ Externes Zentrum Jorinde Voigt Berlin 2012 51 x 36 cm Tinte, Bleistift, Blattgold auf Papier Unikat Signiert Material Spezifikation: Blattgold, 24 Karat

The Art of Being Happy (1) Reading and Outsourcing the Art of Being Happy Arthur Schopenhauer Lebensregel Nr. 1 - 50 Rotationsrichtung; Rotationsgeschwindigkeit 1-4 Umdrehungen/ Tag; Internes Zentrum; Externes Zentrum Ausrichtung Internes/ Externes Zentrum Jorinde Voigt Berlin 2012 51 x 36 cm Tinte, Bleistift, Blattgold auf Papier Unikat Signiert Material Spezifikation: Blattgold, 24 Karat

OSCILLATIONS - The performance examines the use of determinacy and indeterminacy. It looks at how chance is used to guide the musical work; explorations of the principles governing probability, harmony, variation and improvisation.

OSCILLATIONS - The performance examines the use of determinacy and indeterminacy. It looks at how chance is used to guide the musical work; explorations of the principles governing probability, harmony, variation and improvisation.

OSCILLATIONS - The photographic image of the skin - its freckles perforated to allow light to reach the insides of the instrument – is used as a “control surface”. Transforms itself into a sort of map which guides the musician, hinting at the stellar navigation routes followed by great explorers through history.

OSCILLATIONS - The photographic image of the skin - its freckles perforated to allow light to reach the insides of the instrument – is used as a “control surface”. Transforms itself into a sort of map which guides the musician, hinting at the stellar navigation routes followed by great explorers through history.

Zarina Hashmi [MoMA] "Paper Like Skin" exhibit , on paper

Zarina Hashmi [MoMA] "Paper Like Skin" exhibit , on paper

Zarina Hashmi, 'Untitled,' 2015, Gallery Espace

Zarina Hashmi, 'Untitled,' 2015, Gallery Espace

OSCILLATIONS - Performance piece that uses the unpredictability of music and sound to create a visual image

OSCILLATIONS - Performance piece that uses the unpredictability of music and sound to create a visual image

DETERMINED BY ANY SINGLE HAND

DETERMINED BY ANY SINGLE HAND

Zarina Hashmi Untitled, 2015 Collage with BFK light paper printed with black ink and 22-karat gold leaf, mounted on Arches Cover buff paper 12 × 12 in 30.5 × 30.5 cm

Zarina Hashmi Untitled, 2015 Collage with BFK light paper printed with black ink and 22-karat gold leaf, mounted on Arches Cover buff paper 12 × 12 in 30.5 × 30.5 cm