Erkunde Porträtkunst, Iran und noch mehr!

Style Isfahan, Iran Mu'în (1617) Love scene, 1692 Leaf: 103 x 174 mm (miniature) sheet: 160 x 219 mm (mount) Gouache and gold on paper mounted on the bottom of a cup of beige and pink frame album page Museums of Art and History, Geneva.

Style Isfahan, Iran Mu'în (1617) Love scene, 1692 Leaf: 103 x 174 mm (miniature) sheet: 160 x 219 mm (mount) Gouache and gold on paper mounted on the bottom of a cup of beige and pink frame album page Museums of Art and History, Geneva.

Lovers Observed by a Youth Leaf from the Read Persian Album. Persia, ca.. 1630, by Muḥammad Yūsuf al-Ḥusainī. 378 x 241 mm ; MS M.386.15.

Lovers Observed by a Youth

Lovers Observed by a Youth Leaf from the Read Persian Album. Persia, ca.. 1630, by Muḥammad Yūsuf al-Ḥusainī. 378 x 241 mm ; MS M.386.15.

Convivial Party  Riza-i Abbasi.  Gouache and gold. 26x16.7 cm  Iran. Safavid Dynasty. 1612

Convivial Party Riza-i Abbasi. Gouache and gold. 26x16.7 cm Iran. Safavid Dynasty. 1612

کشتن رستم پیل سپید را، نگاره لاکی، شاهنامه فردوسی، منسوب به معین مصور، نیمه دوم قرن 17 میلادی 14.6 در 19 سانتیمتر A LACQUERED ALBUM PAGE FROM THE SHAHNAMEH OF FIRDAUSI: RUSTAM KILLING THE WHITE ELEPHANT, ATTRIBUTABLE TO MU'IN MUSAVVIR, PERSIA, SAFAVID, 2ND HALF 17TH CENTURY Gouache heightened with gold, depicting a figure striking an elephant on the head with a mace 14.6 by 19cm. max.

کشتن رستم پیل سپید را، نگاره لاکی، شاهنامه فردوسی، منسوب به معین مصور، نیمه دوم قرن 17 میلادی 14.6 در 19 سانتیمتر A LACQUERED ALBUM PAGE FROM THE SHAHNAMEH OF FIRDAUSI: RUSTAM KILLING THE WHITE ELEPHANT, ATTRIBUTABLE TO MU'IN MUSAVVIR, PERSIA, SAFAVID, 2ND HALF 17TH CENTURY Gouache heightened with gold, depicting a figure striking an elephant on the head with a mace 14.6 by 19cm. max.

This lavish work depicting a king and his courtiers picnicking in a mountain glade is a definitive example of Safavid manuscript painting from the late 1500s. The painting illustrates a scene from the <I>Khamsa</I>, or <I>Five Poems</I>, by Nizami (c. 1140–1203), one of the greatest poets in Persian literature. The exquisite marginal drawings of animals in the midst of lush gold foliage, the finely detailed and lyrically dynamic composition, and the decorativ...

This lavish work depicting a king and his courtiers picnicking in a mountain glade is a definitive example of Safavid manuscript painting from the late 1500s. The painting illustrates a scene from the <I>Khamsa</I>, or <I>Five Poems</I>, by Nizami (c. 1140–1203), one of the greatest poets in Persian literature. The exquisite marginal drawings of animals in the midst of lush gold foliage, the finely detailed and lyrically dynamic composition, and the decorativ...

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This lavish work depicting a king and his courtiers picnicking in a mountain glade is a definitive example of Safavid manuscript painting from the late 1500s. The painting illustrates a scene from the <I>Khamsa</I>, or <I>Five Poems</I>, by Nizami (c. 1140–1203), one of the greatest poets in Persian literature. The exquisite marginal drawings of animals in the midst of lush gold foliage, the finely detailed and lyrically dynamic composition, and the decorativ...

This lavish work depicting a king and his courtiers picnicking in a mountain glade is a definitive example of Safavid manuscript painting from the late 1500s. The painting illustrates a scene from the <I>Khamsa</I>, or <I>Five Poems</I>, by Nizami (c. 1140–1203), one of the greatest poets in Persian literature. The exquisite marginal drawings of animals in the midst of lush gold foliage, the finely detailed and lyrically dynamic composition, and the decorativ...

برگ مصور از ﻣﺜﻨﻮﻱ «ﮔﻮﻱ ﻭ ﭼﻮﮔﺎﻥ» ﺳﺮﻭﺩﻩ ﻋﺎﺭﻓﻲ ﻫﺮﻭﻱ قرن 16 میلادی، اصفهان ARIFI (D. AH 853/1449 AD): GUY O CHAUGAN -BALL AND MALLET SAFAVID IRAN, 16TH CENTURY

برگ مصور از ﻣﺜﻨﻮﻱ «ﮔﻮﻱ ﻭ ﭼﻮﮔﺎﻥ» ﺳﺮﻭﺩﻩ ﻋﺎﺭﻓﻲ ﻫﺮﻭﻱ قرن 16 میلادی، اصفهان ARIFI (D. AH 853/1449 AD): GUY O CHAUGAN -BALL AND MALLET SAFAVID IRAN, 16TH CENTURY

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