Madeleine Vionnet | Afternoon dress | French | 1931–32

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Afternoon dress, front view. Madeleine Vionnet. Date: 1931–32. Culture: French. Medium: silk. Metropolitan Museum of Art.
Find this Pin and more on Madeleine Vionnet, Couturière by Laureen Burger.
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The Metropolitan Museum of Art. "Cubism and Fashion," December Metropolitan Museum of Art. "The Art of Fashion," October Metropolitan Museum of Art

Date: Culture: French…

New York Met Museum

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Afternoon dress, front view. Madeleine Vionnet. Date: 1931–32. Culture: French. Medium: silk. Metropolitan Museum of Art.

Afternoon dress, front view. Madeleine Vionnet. Date: 1931–32. Culture: French. Medium: silk. Metropolitan Museum of Art.
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1930-1932- I like the dropped waist and puffed bust for Amanda, resembles the silhouette of her youth.
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dress from Norwegian National Museum Collection

Digitalt Museum - Antrekk ca

1930-1932- I like the dropped waist and puffed bust for Amanda, resembles the silhouette of her youth.

1930-1932- I like the dropped waist and puffed bust for Amanda, resembles the silhouette of her youth.
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Dress, Evening Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: ca. 1937 Culture: French Medium: silk
Find this Pin and more on 1930s: Beautifully Biased by Sara Cofield.
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Metropolitan Museum of Art - Madeleine Vionnet, 1937

Madeleine Vionnet (June 1876 March was a French fashion designer. Called the Queen of the bias cut and the architect among dressmakers, Vionnet is best-known today for her elegant Grecian-style dresses and for introducing the bias cut to the fashion…

Evening Dress, ca. This evening dress, with its irregular piecing, features Vionnet's signature sleeves and back draping.

Dress, Evening Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: ca. 1937 Culture: French Medium: silk

Dress, Evening  Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris)  Date: ca. 1937 Culture: French Medium: silk
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Metropolitan Museum of Art
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Vionnet, The collar extends into a long scarf, whose weight helps keep the wrap bodice in place.

Biased in Favor of Vionnet and Ericson, Part 2

One of Vionnet's most triumphant dresses carries the grand patterns of silk around the body, while the fabric twists and tucks back upon itself. The "subject" of this dress is ultimately how it was made and how it works as a composition

History of Womens fashion to 1969

Metropolitan Museum of Art

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Afternoon dress (image 1) | Madeleine Vionnet | French | 1930 | silk | Metropolitan Museum of Art | Accession Number: 1978.278.5
Find this Pin and more on Madeleine Vionnet 1876-1975 by Tracy Cassidy.
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Image 1 of Metropolitan Museum of Art, Brenner Couture Inc.

Afternoon dress (image 1) | Madeleine Vionnet | French | 1930 | silk | Metropolitan Museum of Art | Accession Number: 1978.278.5

Afternoon dress (image 1) | Madeleine Vionnet | French | 1930 | silk | Metropolitan Museum of Art | Accession Number: 1978.278.5

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Afternoon dress  Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris)  Date: 1931–32 Culture: French Medium: silk

The beauty of this dress is its expressed construction, revealing the turnings of cuffs and the elegant passage of loose material to form a soft neckline. The confirming beauty is the inescapable expression of the body within revealed through bias drapery

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