Thomas Dreher

Thomas Dreher

dreher.netzliteratur.net
I am an art historian, specialized on intermedia art: performance art, conceptual art, computer art and net art.
Thomas Dreher
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Günther Uecker: Traffic Paint, 1966. Nagel und Farbe für Straßenmarkierungen auf Holz. 17,5 x 12,5 x 2,7 cm. Unter Glas gerahmt. Mit broschiertem Buch in Original-Plexiglaskassette. Edition Kineticism Press, New York.   18 x 13 x 4 cm. Fest auf Unterlagenkarton montiert. Auf separat beiliegendem Editionsaufkleber signiert und nummeriert. Exemplar 200/2000.

Günther Uecker: Traffic Paint, 1966. Nagel und Farbe für Straßenmarkierungen auf Holz. 17,5 x 12,5 x 2,7 cm. Unter Glas gerahmt. Mit broschiertem Buch in Original-Plexiglaskassette. Edition Kineticism Press, New York. 18 x 13 x 4 cm. Fest auf Unterlagenkarton montiert. Auf separat beiliegendem Editionsaufkleber signiert und nummeriert. Exemplar 200/2000.

Tanyna Preminger: Ladder to heaven and back,  2015. Wood. 460 x 130 x 50 cm. Konakovo, River Club, Russia.

Tanyna Preminger: Ladder to heaven and back, 2015. Wood. 460 x 130 x 50 cm. Konakovo, River Club, Russia.

Robert Barry: Left: Belmont 1967, 1977. Slides. Right: Art and War, 2007. Video, 13 minutes. View of the exhibition “Light and Dark – The Projections of Robert Barry 1967–2012”, Gallery Yvon Lambert, Paris 2012–2013. All images courtesy of Yvon Lambert, Paris. Photgraphs by Rebecca Fanuele.

Right: Art and War, Video, 13 minutes. View of the exhibition “Light and Dark – The Projections of Robert Barry Gallery Yvon Lambert, Paris All images courtesy of Yvon Lambert, Paris. Photgraphs by Rebecca Fanuele.

Robert Barry: Belmont 1967, 1977. Book. Published by the Municipal Van Abbemuseum, Eindhoven and the Museum Folkwang Essen.

Published by the Municipal Van Abbemuseum, Eindhoven and the Museum Folkwang Essen.

Robert Barry: Belmont 1967, 1977. Book. Published by the Municipal Van Abbemuseum, Eindhoven and the Museum Folkwang Essen. Printed by: lecturis in Eindhoven.

Published by the Municipal Van Abbemuseum, Eindhoven and the Museum Folkwang Essen. Printed by: lecturis in Eindhoven.

Robert Barry: Belmont 1967, 1977. Book. Published by the Municipal Van Abbemuseum, Eindhoven and the Museum Folkwang Essen. Printed by: lecturis in Eindhoven.

Published by the Municipal Van Abbemuseum, Eindhoven and the Museum Folkwang Essen. Printed by: lecturis in Eindhoven.

Robert Barry: Otherwise, 1981. 12-inch vinyl record. Cover: 12 1/4 × 12 1/4" (31.1 × 31.1 cm). Van Abbemuseum, Eindhoven. Sleave design by Robert Barry.

Robert Barry - Otherwise; Robert Barry is an American artist who belonged to the first generation of conceptual artists together with amongst others Lawrence Weiner.

Yoko Ono: Cut along dotted line and look at the sky through the hole, 1966. In: Art and Artists Volume One, Number Five, August 1966, p.16.

-- Page 16 "Cut along dotted line and look at the sky through the hole. By Yoko Ono, Art and Artists Volume One, Number Five August 1966 Edited by Mario Amaya London: Hansom Books, 1966 Private Collection of Mikihiko Hori

Douglas Huebler: Duration Piece #15 Global, 1970. Card of the catalogue of the exhibition 995.000 Vancouver at Vancouver Art Gallery.

Douglas Huebler: Duration Piece Global, Card of the catalogue of the exhibition Vancouver at Vancouver Art Gallery.

Robert Ryman: Adelphi, 1967.  Oil on unstretched linen canvas with staples, waxed paper and masking tape.

Robert Ryman, "Adelphi", Oil on unstretched linen canvas with staples, waxed paper and masking tape.

Albert Hahn: Tegen de Huurverhoging [Against Rent Increase], 1921. Election Poster of the Social Democratic Workers' Party, The Netherlands.

Albert Hahn: Tegen de Huurverhoging [Against Rent Increase], Election Poster of the Social Democratic Workers' Party, The Netherlands.

Douglas Huebler: Variable Piece #34, 1970. Documetation with photos and typewritten text: ‘During November, 1970 forty people were photographed at the instant exactly after the photographer said, “You have a beautiful face.”’

Douglas Huebler: Variable Piece #34, 1970. Documetation with photos and typewritten text: ‘During November, 1970 forty people were photographed at the instant exactly after the photographer said, “You have a beautiful face.”’